The Norseman
The Kensington Stone
- Fiction or Historical Truth?
(This article was published by Carl O. Nordling in The Norseman in 1957.)
CAN a language develop independently among a small
group of people till it differs considerably from the original one? Of course
it can, but how long does it take, would seven years be enough for a manifest
change? This is just one of the questions that are posed by the Kensington Stone.
Much
has been written about this stone. In
Now,
suppose the rune stone is a fake, made by some Scandinavian immigrant in modern
times. If this be the case, the circumstances suggest that the inscription was
made some time before the 19th century. This itself is
a problem, because settlement in
However,
let us for a moment ignore the verbal form and look at the message inscribed on
the stone. If this is actually a product of the author's imagination, it must
rank among the great works of Scandinavian fiction. In merely 64 words the nameless
author shows an uncanny power of entering into the historical period and creating
an atmosphere that few historical novels can equal. Like some modernist poet he
drops every unnecessary word ‑- and what remains must still have meant hours
of hard work in carving the surface of the stone.
These are the words of the Kensington Stone carved
in Nordic runes:
8 göter
ok 22 norrmen po opdagelsefard fro winland of west wi hade läger
wed 2 skjar en dags rise norr fro
deno sten wi war ok fiske en dagh äptir wi korn hem fan 10 man röde af blod og
ded AVM fräelse af illy / här 10 mans we havet at se äptir wore skip 14 dagh rise
from deno öh ahr 1362.
(In
literal translation: 8 Goths and 22 Norwegians on discovery trip from Vinland
to the west. we had camp by 2 skerries one day's journey north from this stone.
we was and fishing one day, after we came home, found 10 man reds of blood and
dead, AVM. save from evil. here 10 mans by the sea to look after our ships, 14
day journey from this island. year 1362.)
The
word counterfeit is ill suited to this piece of fiction. It contains nothing of
plagiarism since it has no prototype among the genuine rune stones. These are
in most cases feeble as literary products with their stereotype statements about
some person who had the stone erected in the memory of some other person.
Instead
of this the writer of the Kensington Stone devotes almost all the 64 words to
his story, and what a story! Starting from the fact of King Magnus's order, he
makes the king's expedition proceed from
All
this may be accepted as a likely story from a counterfeiter. All the more unlikely
seems the milieu and the geographic data in the text. The author apparently is
thinking entirely in terms of ships and the ocean, although he for some reason
places his stone in the middle of the mainland as far as possible from any coast.
Despite the fact that the place of the stone was a hill surrounded by land he
is speaking of the place as an island situated one day's journey from two skerries (i.e. rocky islets). One would think that he regarded 1 the whole district as a sea with scattered islets, but, for his mentioning
the " real‑‑‑sea (where the ships lay) as something more
distant14 days' journey to be sure. And why 14? Did the
unknown
writer really think that one could travel the thousand miles between the
The
statement that the place of the stone is an island also becomes plausible, if the author is regarded as an expert in geology as well. In that case
he could have realized that the hill really must have been surrounded by water
in olden times.
Now,
this either completely ignorant or highly skilled counterfeiter could, very well
have used Roman figures which were in common use in the 14th century, but he did
not in spite of his use of three Roman letters. Instead he used a kind of rune figures, the prototype of
which are found in a Latin book by Ole Worm printed in
1643. When the stone was found the contemporary experts did not know these figures‑
and could not decipher them until many years later.
The
eminent book‑learning of the author may be striking by itself, but it becomes
so much more noteworthy when we consider that the text is teeming with simple
orthographic errors. Even though the author may have been ignorant of the medieval
Nordic languages (and he was not, since he wrote "fräelse af illy"),
no ignorance whatever would explain why he spells "ok” as well as “og”‑‑‑(meaning
"and"), "fro” as well as‑‑‑“from”, “dags rise”
as well as “dagh rise" ("day's journey” and ‑‑‑“wed" well as “we”
("by"). A counterfeiter certainly writes a draft on paper before
he carves the text in the stone, and this elaborate text must have been rewritten
many times. Then whence these errors? Did he make spelling mistakes on
purpose?
We might
as well ask if there really can have been such a calculating and thorough counterfeiter
in the 1890's (or before) as this hypothetical modern rune writer in
When
we consider all this, it seems improbable that the alleged counterfeiter ever
existed at all. Yet the fact remains that the Scandinavian language of the stone
is not the literary language of the 14th century. But suppose now, that the Kensington
Stone was made by a member of the Paul Knutsson expedition who had learnt to write.
Suppose that this man carved the runes from dictation by the leader of the ten
surviving men. The carver had certainly learnt the literary language‑perhaps writing
from dictation at school, in which case the teacher may have dictated the words
in literary language in order to impress the latter on his pupils. Now, what happens
when the carver has to write from dictation in colloquial language‑perhaps
for the first time? Probably he writes it down as faithfully as possible. And
to what kind of colloquial language does he listen? Certainly
not any dialect spoken in
A counterfeiter
could have looked up the words and runes in a book, but a member of the Knutsson
expedition in the same situation could only improvise runes and inflections to
the best of his ability. In this context the improvisations of the text speak
for its genuineness rather than against it.
In spite
of the seeming strength of the linguistic evidence, the possibility that the Kensington
Stone may be a genuine historical document cannot be completely rejected. However,
be it a true report of facts or pure fiction, the inscription is superior to most
things of its kind.
The
Norseman